Director:  Michelangelo Antonioni
Cast: Gabriele Ferzetti, Monica Vitti, Lea Massari
Italy, 143', 1960, black & white
Italian with Turkish subtitles

The first of Antonioni’s breakthrough film trilogy, L’avventura proved an “adventure” from its rough, perilous production to its troubled release, including charges of obscenity and immorality. Using a widescreen canvas for the first time, Antonioni’s signature experimental narrative style blossoms fully and radically around absence, initially in the form of a woman’s mysterious disappearance during a trip to an island. The ensuing search is composed of behaviors not fully comprehensible, desires abandoned and central plot points forgotten. Upon this dizzying post-war terrain, truth, love and happiness are unequally exchanged for money, sex and status, and all characters suffer from an emotional seasickness. Antonioni describes with stunning precision his indistinct, inarticulate explorers apprehensively treading toward, in his words, “the moral unknown.”

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

Midnight Horror Stories:  The Moon Pool <br> Işın Beril Tetik

Midnight Horror Stories: The Moon Pool
Işın Beril Tetik

About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster… 

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Nam June Paik Video Art’s Pioneer

Nam June Paik Video Art’s Pioneer

Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.