Director: Andrzej Wajda
Cast: Teresa Izewska, Tadeusz Janczar, Wienczyslaw Glinski,Tadeusz Gwiazdowski, Stanislaw Mikulski
Poland, 96’, 1957, black and white
Polish with Turkish subtitles
An unforgettably vivid depiction of the last days of the 1944 Warsaw uprising against the German Nazis, Kanal was co-awarded (with The Seventh Seal) a special jury prize at the 1957 Cannes Film Festival, establishing Wajda as a major new international film talent. His second film – and the second part of his war trilogy – features a rich mosaic of meticulously combined narratives, following a band of surviving Polish Home Army soldiers that takes to the sewers to avoid capture. Unable to allude to the fact that the Soviet Army was waiting just across the river while the Germans wiped out the non-Communist resistance, Wajda portrayed the insurgents with unaccustomed sympathy.
We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
