Ashes and Diamonds

  • February 15, 2014 / 16:00
  • February 26, 2014 / 19:00

Director: Andrzej Wajda
Cast: Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski,Adam Pawlikowski, Bogumił Kobiela
Poland 103’, 1958, black and white

Polish with Turkish subtitles

This filmis the extraordinary final installment in Wajda’s war trilogy and an unquestionable masterpiece, a true landmark of postwar European cinema. With a screenplay by Jerzy Andrzejewski, based on his novel, the film is set on the last day of the war and the first day of peace, when a young Home Army soldier (Zbigniew Cybulski, in his most famous role) is assigned to assassinate a Communist official. More important than the carefully etched political nuances in this vision of a Poland poised between past and a future defined by its postwar regime are the moral dilemmas faced by individuals in a time of transition, always treated with great humanity by Wajda. Cybulski’s way-cool performance – complete with dark shades, match cocked between his teeth and easy banter with the ladies – earned him the title, the “James Dean of Poland.” 

Canal

Canal

Ashes and Diamonds

Ashes and Diamonds

Night Train

Night Train

Mother Joan of the Angels

Mother Joan of the Angels

Innocent Sorcerers

Innocent Sorcerers

Knife in the Water

Knife in the Water

The Saragossa Manuscript

The Saragossa Manuscript

Trailer

Ashes and Diamonds

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’. 

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.