Caryn Cline’s Botanicollage Films

For over twenty years, Caryn Cline has handcrafted intimate films that reframe the familiar through experiments in scale and context. Cline coined the term “botanicollage” to describe the technique pioneered by Stan Brakhage (Mothlight, Garden of Earthly Delights) in which flowers, leaves, and other organic matter are fused directly onto celluloid. Once small and overlooked, her weedy subjects demand the full cinematic frame, revealing often astonishingly beautiful qualities. By placing plants in an unfamiliar context, the filmmaker aims to “transform reality utterly”* and, in so doing, invite us to reflect on our own relationships with the botanical world.

All Flesh is Grass

Director: Caryn Cline
USA, 2017, 12', color
no dialogue

All Flesh is Grass experimentally documents a prairie restoration site in rural Missouri.

 

Lost Winds

Director: Caryn Cline 
USA, 2017, 3', color
no dialogue

A site-specific botanicollage film from San Clemente, CA, containing both planned and "chance" animation.

 

Butterfly Disaster

Director: Caryn Cline
USA, 2019, 6', color
no dialogue

Extinction of monarch butterflies in the US became a topic of a film based on manipulation of found footage. The director adjusts archival recordings of butterflies or planes spreading fertilizers through double exposure, scratching, colouring and so don, coming up with a purely visual micro-essay asking who is really the pest and who is the infested in this ecosystem.

Zephyr

Zephyr

Caryn Cline’s Botanicollage Films

Caryn Cline’s Botanicollage Films

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

Cindy Sherman Look At Me!

Cindy Sherman Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!.