Correspondence Isaki Lacuesta – Naomi Kawase

  • October 18, 2014 / 19:00
  • October 30, 2014 / 19:00

Spain, Japan, 2008–2009, DV, 16mm, color, 43’
Spanish and English with Turkish subtitles

The seven-part correspondence between Isaki Lacuesta und Naomi Kawase, who had only briefly met beforehand at a festival, revolves around proximity and distance as well as what it actually means to meet someone and get to know them. Their joint film In Between Days shows scenes from their private lives, including intimate moments in home-movie style, sometimes without sound, as well as images of journeys to faraway countries, of a natural history museum in Catalonia, of prayers in Japan and of excerpts from a silent film by Segundo de Chomón, the Spanish Méliès.

Correspondence José Luis Guerín – Jonas Mekas

Correspondence José Luis Guerín – Jonas Mekas

Correspondence Jaime Rosales – Wang Bing

Correspondence Jaime Rosales – Wang Bing

Correspondence Isaki Lacuesta – Naomi Kawase

Correspondence Isaki Lacuesta – Naomi Kawase

Correspondence Fernando Eimbcke – So Yong Kim

Correspondence Fernando Eimbcke – So Yong Kim

Correspondence Albert Serra – Lisandro Alonso

Correspondence Albert Serra – Lisandro Alonso

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.