Spain, Japan, 2008–2009, DV, 16mm, color, 43’
Spanish and English with Turkish subtitles
The seven-part correspondence between Isaki Lacuesta und Naomi Kawase, who had only briefly met beforehand at a festival, revolves around proximity and distance as well as what it actually means to meet someone and get to know them. Their joint film In Between Days shows scenes from their private lives, including intimate moments in home-movie style, sometimes without sound, as well as images of journeys to faraway countries, of a natural history museum in Catalonia, of prayers in Japan and of excerpts from a silent film by Segundo de Chomón, the Spanish Méliès.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
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