Director: İmre Azem
Turkey, 88’, 2011,
color
Ecumenopolis - the name comes from a vision of the urban planner Constantinos Doxiadis: large cities continue to grow until they grow together, forming some day a globally coherent urban space. The filmmaker Imre Azem uses this metaphor of Ecumenopolis to describe the current situation in Istanbul. His film documents the social hardships and environmental problems associated with the rapid and seemingly incessant growth of Istanbul: the violent demolition of housing space against the will of the residents and the residents' relocation to the suburbs as well as the destruction of nature in and around Istanbul. The film points out not only the transformation of the city, but also the dynamics behind it: The growth of Istanbul is pushed forward with urban projects such as the planned construction of a third bridge over the Bosphorus. Despite scientific objection and residents' demanding participation in decision-making, politicians try to put through the project. The film sketches a picture of neoliberal urbanization that surpassed ecological, economic and demographic limits.
Trailer
I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old.
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