Ecumenopolis: City Without Limits

  • September 8, 2013 / 14:00
  • September 10, 2013 / 14:00

Director: İmre Azem
Turkey, 88’, 2011, color

Ecumenopolis - the name comes from a vision of the urban planner Constantinos Doxiadis: large cities continue to grow until they grow together, forming some day a globally coherent urban space. The filmmaker Imre Azem uses this metaphor of Ecumenopolis to describe the current situation in Istanbul. His film documents the social hardships and environmental problems associated with the rapid and seemingly incessant growth of Istanbul: the violent demolition of housing space against the will of the residents and the residents' relocation to the suburbs as well as the destruction of nature in and around Istanbul. The film points out not only the transformation of the city, but also the dynamics behind it: The growth of Istanbul is pushed forward with urban projects such as the planned construction of a third bridge over the Bosphorus. Despite scientific objection and residents' demanding participation in decision-making, politicians try to put through the project. The film sketches a picture of neoliberal urbanization that surpassed ecological, economic and demographic limits.

Ecumenopolis: City Without Limits

Ecumenopolis: City Without Limits

Occupy: The Movie

Occupy: The Movie

F*ck for Forest

F*ck for Forest

Handsworth Songs

Handsworth Songs

The Green Wave

The Green Wave

The Network

The Network

The Gate of Heavenly Peace

The Gate of Heavenly Peace

Better This World

Better This World

Tous au Larzac

Tous au Larzac

A Short Walk in the Park<br/>Shorts

A Short Walk in the Park
Shorts

Trailer

Ecumenopolis: City Without Limits

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life. 

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.