Escape from the ‘Liberty’ Cinema

  • December 17, 2017 / 16:00
  • December 23, 2017 / 18:00

Director: Wojciech Marczewski
Cast: Janusz Gajos, Zbigniew Zamachowski, Teresa Marczewska, Piotr Fronczewski
Poland, 1990, 92', color
Polish with Turkish subtitles
 

Adapted from Woody Allen’s The Purple Rose of Cairo to Poland’s late 80’s, when the communist regime is coming to an end, this film tells the story of a provincial film critic and his struggle with a rebelling group of actors. During the screening of the film Daybreak in the “Liberty” cinema, the actors on screen stage a strike, abandon their roles, and begin to assert their freedom, making demands to the audience. When the censor is unable to control the situation, senior party officials are called in. This film is one of the most original Polish films of the decade; a poetic satire about the end of an oppressive era but also a universal tale about humanity. It was screened at Un Certain Regard section of the 1991 Cannes Film Festival.

Daisies

Daisies

Escape from the ‘Liberty’ Cinema

Escape from the ‘Liberty’ Cinema

The Garden

The Garden

Conspirators of Pleasure

Conspirators of Pleasure

Afterlife

Afterlife

Free Fall

Free Fall

Goat

Goat

Five October

Five October

I, Olga

I, Olga

Communion

Communion

Little Harbour

Little Harbour

On Body and Soul

On Body and Soul

Photon

Photon

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.