Director: Ulrike Ottinger
Cast: Magdalena Montezuma, Delphine Seyrig, Albert Heins, Claudio Pantoja
Germany, 1981, 126', color
German with Turkish subtitles
Cross-breeding time-skipping fantasy with outrageous masquerade, Ulrike Ottinger’s five garishly costumed tales recount a history of the world involving the Spanish Inquisition, traveling entertainers, Greek mythology, assorted bodily oddities, and general carnivalesque intrigue. The formidable Magdalena Montezuma stars as the intrepid traveler in all the shapeshifting and gender-bending tales. Reworking Virginia Woolf’s Orlando and Tod Browning’s Freaks, feminist pioneer Ottinger invents a colorful, boundary-busting theater of human difference and transformation.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
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On Wednesdays, the students can
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