Last Year at Marienbad

  • February 6, 2019 / 19:00
  • March 10, 2019 / 15:00

Director: Alain Resnais
Cast: Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoğff
France, 1961, 94',  b&w
French with Turkish subtitles

Pera Film will host the Turkish premiere of the newly restored 4K version of the film.

The film takes place in a grand, baroque château: a huge static space all gold and marble with endless corridors, slender pillars, richly ornate ceilings, statues, mute servants and deserted grounds. The guests in this odd kind of hotel drift about as if out of some sort of strange fatality, living a jaded, pampered, ritual existence. Everyone in this prison-like luxury hotel embodies sclerosis and hypnosis. A man with an Italian accent moves through the architecture of the labyrinthine château as if he can't quite find his way. He is driven to follow and talk to a woman who he claims to have met the year before. However, she doesn't remember or doesn't want to remember.

Last Year at Marienbad

Last Year at Marienbad

Freak Orlando

Freak Orlando

On the Silver Globe

On the Silver Globe

Night on Earth

Night on Earth

Good Time

Good Time

Out

Out

i.Mirror

i.Mirror

Haze and Fog

Haze and Fog

Trailer

Last Year at Marienbad

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.