Gender Identity (1985 – 1990)

  • December 20, 2015 / 14:00
  • December 26, 2015 / 16:00
  • January 16, 2016 / 14:00

Peter Gabriel, Sledgehammer, 1985 / Steve R.Johnson
Dire Straits, Money for Nothing, 1985 / Steve Barron
Simple Minds, All the Things She Said, 1985 / Rybzinsky
Kate Bush, Running Up that Hills, 1985 / David Garfath
The Smiths, The Queen is Dead, 1986 / Derek Jarman
Crowded House, Don’t Dream it’s Over, 1986 / Alex Proyas
Michael Jackson, Bad, 1987 / Martin Scorsesse
Madonna, Like a Prayer.1988 / Mary Lambert
The Cure, Lullaby, 1989 / Tim Pope
Chris Isaak, Wicked Game, 1989 / Herb Ritts
Madonna, Justify My Love, 1990. / J. B Mondino
Madonna, Vogue, 1990 / David Fincher
Depeche Mode, Enjoy the Silence, 1990 / Anton Corbijn
Sonic Youth, Kool thing, 1990 / Tamra Davis
Sinead O’Connor, Nothing Compares 2 U, 1990 / John Maybury

Duration: 1 hour 13 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.

Geography

Geography

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.