The Artists’ Music Video (1966 – 2012)

  • December 18, 2015 / 18:00
  • December 26, 2015 / 11:00
  • January 13, 2016 / 15:00

Laurie Anderson, O Superman, 1982 / Laurie Anderson 
The Cars, Hello Again, 1984 / Don Munroe, Andy Warhol
Art of Noise, Close to the Edit, 1984 / Zbigniew Rybczynski
Sonic Youth, Death Valley 69, 1985 / Judith Barry, Richard Kern
The Smiths, The Queen is Dead, 1986 / Derek Jarman
New Order, Bizarre Love Triangle, 1987 / Robert Longo
New Order, Blue Monday, 1988 / Robert Breer, William Wegman
Sonic Youth, Song for Karen, 1990 / Tony Oursler
R.E.M., Nightswimming, 1992 / Jem Cohen
Peter Gabriel, Love Town, 1993 / Michael Coulson, Yayoi Kusama
Blur, Country House, 1996 / Damien Hirst
Fatboy Slim, The Rockafeller Skank (1998) / Doug Aitken
Pet Shop Boys, London, 2002 / Martin Parr
Red Hot Chili Peppers, Can’t Stop, 2002 / Mark Romanek, Erwin Wurm
DJ Shadow, Six Days, 2004 / Won Kar-Wai
The Hours, See Thee Light, 2009 / Tony Kaye, Damien Hirst
Kanye West, Runaway, 2010 / Vanessa Beecroft, Kanye West
Die Antwoord, I Fink U Freeky, 2012 / Roger Ballen
David Bowie, Where Are We Now, 2013 / Tony Oursler

Duration: 1 hour 40 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

Sea Baths

Sea Baths

It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.

Reality Bites!

Reality Bites!

Works by a large number of students from the Academy of Fine Arts in Sarajevo deal with current and often painful themes from the socio-political, economic and cultural reality, raising awareness, appealing, warning, opening issues and offering new interpretations.