Gett: The Trial of Viviane Amsalem

  • November 11, 2018 / 17:00
  • December 24, 2018 / 18:00

Directors:  Ronit Elkabetz, Shlomi Elkabetz
Cast: Simon Abkarian, Sasson Gabai, Ronit Elkabetz, Menashe Noy
Israel, France, Germany, 2014, 112', color
Hebrew with Turkish subtitles

In Israel there is neither civil marriage nor civil divorce. Only rabbis can legitimate a marriage or its dissolution. But this dissolution is only possible with full consent from the husband, who in the end has more power than the judges. Viviane Amsalem has been applying for divorce for three years. But her husband Elisha will not agree. His cold intransigence, Viviane’s determination to fight for her freedom, and the ambiguous role of the judges shape a procedure in which tragedy vies with absurdity, and everything is brought out for judgment, apart from the initial request.

Director Shlomi Elkabetz will be in conversation after the screening on November 11.

Free admissions. Drop in, no reservations.

Sh’Chur

Sh’Chur

Late Marriage

Late Marriage

Or (My Treasure)

Or (My Treasure)

To Take a Wife

To Take a Wife

The Band's Visit

The Band's Visit

7 Days

7 Days

Jaffa

Jaffa

The Flood

The Flood

Gett: The Trial of Viviane Amsalem

Gett: The Trial of Viviane Amsalem

Trailer

Gett: The Trial of Viviane Amsalem

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. 

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).