To Take a Wife

  • November 9, 2018 / 21:00
  • November 24, 2018 / 14:00

Directors: Ronit Elkabetz, Shlomi Elkabetz
Cast: Ronit Elkabetz, Simon Abkarian, Gilbert Melki, Sulika Kadosh
Israel, France, 2004, 99',  color
Arabic, French, Hebrew with Turkish subtitles

Haifa, 1979. After repeated disputes, the extended Ohayon family tries to mediate between Viviane (Ronit Elkabetz) and Eliahou (Simon Abkarian) – two people with nothing in common except for their religious-cultural background and their four children. Over the course of several days, the couple quarrels over tradition, love, fears and progress. To Take a Wife is the first chapter in the excellent trilogy by Ronit and Shlomi Elkabetz that continues with 7 Days (2008) and Gett: the Trial of Viviane Amsalem (2014).

Free admissions. Drop in, no reservations.

Sh’Chur

Sh’Chur

Late Marriage

Late Marriage

Or (My Treasure)

Or (My Treasure)

To Take a Wife

To Take a Wife

The Band's Visit

The Band's Visit

7 Days

7 Days

Jaffa

Jaffa

The Flood

The Flood

Gett: The Trial of Viviane Amsalem

Gett: The Trial of Viviane Amsalem

Trailer

To Take a Wife

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.