To Take a Wife

  • November 9, 2018 / 21:00
  • November 24, 2018 / 14:00

Directors: Ronit Elkabetz, Shlomi Elkabetz
Cast: Ronit Elkabetz, Simon Abkarian, Gilbert Melki, Sulika Kadosh
Israel, France, 2004, 99',  color
Arabic, French, Hebrew with Turkish subtitles

Haifa, 1979. After repeated disputes, the extended Ohayon family tries to mediate between Viviane (Ronit Elkabetz) and Eliahou (Simon Abkarian) – two people with nothing in common except for their religious-cultural background and their four children. Over the course of several days, the couple quarrels over tradition, love, fears and progress. To Take a Wife is the first chapter in the excellent trilogy by Ronit and Shlomi Elkabetz that continues with 7 Days (2008) and Gett: the Trial of Viviane Amsalem (2014).

Free admissions. Drop in, no reservations.

Sh’Chur

Sh’Chur

Late Marriage

Late Marriage

Or (My Treasure)

Or (My Treasure)

To Take a Wife

To Take a Wife

The Band's Visit

The Band's Visit

7 Days

7 Days

Jaffa

Jaffa

The Flood

The Flood

Gett: The Trial of Viviane Amsalem

Gett: The Trial of Viviane Amsalem

Trailer

To Take a Wife

Female Attires from the Perspective of Painters

Female Attires from the Perspective of Painters

Due to its existence behind closed doors, the lifestyle and attires of the women in the Harem have been one of the most fascinating topics for western painters and art enthusiasts alike.

Cindy Sherman Look At Me!

Cindy Sherman Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.