Directors: Su Baloğlu, Merve Bozcu
2017, 80', color, Turkish with English subtitles

How does one make a movie? Where to start? Does the director have to know everything? Are men better at technique? Why does my crew pay more attention to the director of photography? What the heck is a “set girl”? Is there such thing called the “female gaze”? Working with two female co-directors? Hell no! Is my assistant spreading rumors that I’m not a good director on the set? Is working with your husband on the same set, hardest thing ever? Two recent film school graduates Merve and Su decide to give up their careers in academia to make a film that seeks for answers to these questions. They shot themselves in this journey to document the crucial points of filmmaking. Interlaced with many questions–sometimes replied and sometimes left afloat–Her First tells the story of being a woman, a working woman, a woman filmmaker in Turkish cinema, told by 14 female directors.

Her First

Her First

Hidden

Hidden

Married to The Camera

Married to The Camera

Trailer

Her First

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.