Director: Doğa Kılcıoğlu
2010, 52', color, Turkish
The film shows us the unknown face of TV world through a very popular show in Turkey called Marriage with Esra Erol aiming to marry people in front of the camera. It focuses on the people looking for a glimpse of hope in the hallways of a huge TV studio: a popular presenter who feels at ease on stage but prays for good luck in the backstage; a director whispering in her earphone to guide her in order to make the show more exciting; a peculiar spectator whose job is to criticize; audience clapping when ordered; and a young man dancing to hip hop music without ever being in a disco all his life.
Trailer
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.
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