Director: Köken Ergun
Turkey, Australia, 2018, 88’, color
Turkish, English with Turkish, English subtitle
Each year, crowds of Turkish, Australian and New Zealander tourists travel to Gallipoli, Turkey. They honor their fallen soldiers who lost their lives in the Gallipoli/Çanakkale Campaign—one of the bloodiest conflicts of World War One—, which is considered as a defining moment in the establishment of the Turkish nation state as well as the beginning of national consciousness in Australia and New Zealand. With heightened emotions, they move around the historical battlefields, graves and war monuments, with the help of guided tours tailored for each community. Over the course of two years, Köken Ergun joined various Gallipoli tours, recording divergent war narratives told by different tour guides, emotional reactions of their audience, interviews with tour participants and patriotic theatre plays organised by the Turkish state. The resulting film offers a rare insight into how nationalist emotions are kept alive through a "tourism of martyrdom."
Trailer
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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