Director: Dilek Kaya
Turkey, 2018, 85’, color
Turkish; English s.t.

In the summer of 2016, the director of this documentary film bought a bunch of discarded letters from a flea market in Izmir, Turkey. Written in the 70s, the letters were addressed to Kâzım Küçükalp, apparently a smart, vivacious, and adventurous youth, who was a fan of European and American rock bands of the time. After accidentally discovering that Kâzım died during a mountain expedition in 1974, at the age of 19, the director set off a journey, which extended from Izmir to Artvin. Finding the owners of the letters and the mountaineers who witnessed Kâzım’s death, the documentary reconstructs Kâzım’s story and intertwines it with the journey of the director. The film is also a partial story of 1970s youth culture in Turkey.

Come Rain or Shine

Come Rain or Shine

Do You Think God Loves Immigrant Kids, Mom?

Do You Think God Loves Immigrant Kids, Mom?

Kâzım

Kâzım

Dog Movie

Dog Movie

Guardian of Angels

Guardian of Angels

Clouds

Clouds

Gulyabani

Gulyabani

Heroes

Heroes

Heads and Tails

Heads and Tails

Aether

Aether

Time to Leave

Time to Leave

Trailer

Kâzım

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.