Director: Bilge Olgaç
Cast: Türkan Şoray, Mehmet Keskinoğlu, Mümtaz Ener
Turkey, 1974, DVD, Color, 79’, Turkish

The landlord of a village rapes a young woman. The woman is made to marry a poor man in the village. The woman and the man eventually love each other. In the meantime a big drought starts and hunger follows this. The landlord helps the people living in the village but he doesn’t give wheat to the young couple and put them in a difficult situation. The man goes to the city to work, the woman almost starves. As she goes to the landlord to ask for help, she faces violence, not help...

Short Films 1

Short Films 1

My Beautiful Country

My Beautiful Country

Don’t Shoot the Messenger

Don’t Shoot the Messenger

Dolls Can’t Cry

Dolls Can’t Cry

Mohtarama

Mohtarama

Silky

Silky

Salma

Salma

Tokyo’s Belly

Tokyo’s Belly

The Present Tense

The Present Tense

How to Lose Your Virginity

How to Lose Your Virginity

Hunger

Hunger

Short Films 2

Short Films 2

Watchtower

Watchtower

Eat Sleep Die

Eat Sleep Die

The Spoon Haters

The Spoon Haters

Short Films3

Short Films3

Secret Subject

Secret Subject

Jin

Jin

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.