La Cérémonie

Director: Claude Chabrol
Cast: Isabelle Huppert, Sandrine Bonnaire, Jacqueline Bisset
France, 112’, 1995, color
French with Turkish subtitles

In the 1960s and early '70s, Claude Chabrol was celebrated as the Gallic Hitchcock for his crisp, character-rich thrillers. La Cérémonie, his 1997 hit adapted from Ruth Rendell's novel A Judgement in Stone, is a return to form, an assured domestic drama set in the upper-class household of the kind but condescending Lelievres family. Sandrine Bonnaire, excellent in an enigmatic, uncommunicative role, stars as their new, neurotically silent maid Sophie. She performs her duties efficiently and emotionlessly, staring out from behind an implacable, mask-like face born of loneliness and defensiveness. Isabelle Huppert is the town's gleefully misanthropic postmistress Jeanne, a gossipy, energetically insolent misfit who hates the Lelievres. When she becomes Sophie's best friend, her pathological game of taunts and gossip goes into overdrive with her sudden access to their house, and an already simmering class conflict boils over in unleashed anger. Chabrol charts the cascade of mischief and misunderstandings to its shattering conclusion, with sensitivity to character and an eagle-eyed remove that makes the explosive climax all the more chilling. It's a devastating thriller, one of Chabrol's best, and a powerful portrait in hate and psychosis pushed over the edge in misunderstanding, manipulation, and mistrust. Jacqueline Bisset is the fumbling but sincere Mme. Lelievres, Jean-Pierre Cassel her complacent husband, and Virginie Ledoyen (A Single Girl) their sensitive young daughter.

Every Man For Himself

Every Man For Himself

Coup de torchon

Coup de torchon

La Cérémonie

La Cérémonie

Isabelle Huppert: A Life to Play

Isabelle Huppert: A Life to Play

Loulou

Loulou

Story of Women

Story of Women

White Material

White Material

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.