Every Man For Himself

Director: Jean-Luc Godard
Cast: Isabelle Huppert, Jacques Dutronc, Nathalie Baye
France, 87’, 1980, color
French with Turkish subtitles


Godard's return to celluloid after a decade of experiment in video is in one sense forced: the sources of finance for his projects were drying up, and he himself admits that the film was made as a passport back into the business. But in another, this is his most personal work in years, less important for its return to narrative (the story of two women and a man joined in almost arbitrary ways) than for its chilled sense of autobiography - Dutronc plays an egotistical, washed-out video film-maker called 'Godard'. In that light, the resurrection of earlier themes (especially prostitution) is no return at all, but a confessional fantasy about a generation of men now in middle age, alienated from their sexuality, dissatisfied with their 'commerce', and unwilling to cope with a new sexual/political order. It would be hard to imagine a more courageous project; harder still to find one executed with the kind of stylistic wit and haunting elegance that have made Godard leader of the pack for over twenty years.

Every Man For Himself

Every Man For Himself

Coup de torchon

Coup de torchon

La Cérémonie

La Cérémonie

Isabelle Huppert: A Life to Play

Isabelle Huppert: A Life to Play

Loulou

Loulou

Story of Women

Story of Women

White Material

White Material

Mark Požlep

Mark Požlep

Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region. Throughout the exhibition, we keep sharing detailed information about the artworks. Take a look at Mark Požlep’s “Stranger than Paradise” video installation. Also you can check our interview with the artist on our YouTube channel! 

Five Unmissable Istanbul Paintings of Félix Ziem

Five Unmissable Istanbul Paintings of Félix Ziem

Félix Ziem is accepted as one of the well-known artists of the romantic landscape painting, and has been followed closely by art lovers and collectors of all periods since. He had a profound influence on generations of artists after him, and was the first artist whose works were acquired by the Louvre while he was still alive.

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze