Director: Sophie Letourneur
Cast: Sarah-Jane Sauvegrain, Eulalie
Juster, Mahault Mollaret
France, 90’, 2009, color
French with Turkish
subtitles
In her debut feature, which has drawn comparisons to late French masters Rohmer and Rouch, Letourneur insightfully and humorously portrays the seemingly quite happy daily life of a small group of bohemian girls living together on the left bank in what they call their “Ranch.” A tight-knit circle of 20-somethings, Lola, Pam, Manon, Chloé and Jude—all played by non professionals, and all friends in real life—are smart, somewhat naïve, and often temperamental, spending their days drinking, smoking, laughing, dancing, gossiping, and discussing their love lives, until each realizes they must break from the group to pursue their own lives. Part of ACID’s 2010 Cannes sidebar, La vie au ranch was a festival favorite, screening at Viennale, Vancouver, Sydney, Belfort (where it won the Best French Film Award), and the International Film Festival Rotterdam. Letourner’s semi-autobiographical first feature seamlessly combines performances from amateur actors, layered dialogue, and real-life cast experiences.
How can the future be imagined by looking at a collection or an archive? The lasting quality of ceramics allows us to ponder how the future might be remembered through a ceramics collection, since they render conceivable time eternal.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
