La vie au ranch

Director: Sophie Letourneur
Cast: Sarah-Jane Sauvegrain, Eulalie Juster, Mahault Mollaret
France, 90’, 2009, color
French with Turkish subtitles

In her debut feature, which has drawn comparisons to late French masters Rohmer and Rouch, Letourneur insightfully and humorously portrays the seemingly quite happy daily life of a small group of bohemian girls living together on the left bank in what they call their “Ranch.” A tight-knit circle of 20-somethings, Lola, Pam, Manon, Chloé and Jude—all played by non professionals, and all friends in real life—are smart, somewhat naïve, and often temperamental, spending their days drinking, smoking, laughing, dancing, gossiping, and discussing their love lives, until each realizes they must break from the group to pursue their own lives. Part of ACID’s 2010 Cannes sidebar, La vie au ranch was a festival favorite, screening at Viennale, Vancouver, Sydney, Belfort (where it won the Best French Film Award), and the International Film Festival Rotterdam. Letourner’s semi-autobiographical first feature seamlessly combines performances from amateur actors, layered dialogue, and real-life cast experiences.

Summer of Giacomo

Summer of Giacomo

Nous princesses de cleves

Nous princesses de cleves

Belle Épine

Belle Épine

Un poison violent

Un poison violent

Memory Lane

Memory Lane

La vie au ranch

La vie au ranch

Journey to the East

Journey to the East

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. This week we are sharing Ziem’s work inspired by Istanbul and “the East”! 

Memory of Objects

Memory of Objects

In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.