Last Birds

  • April 7, 2017 / 13:30

Director: Erdoğan Tokatlı
Cast: Selma Güneri, Ediz Hun, Tijen Par, Ayfer Feray, Talat Gözbak, Kenan Pars, Aliye Rona, Senih Orkan, Nurhan Nur, Tuncel Kurtiz
Turkey, 1965, 90’, black & white
Turkish with French subtitles

Adapted to screen by Ayşe Şasa from her own short story, Last Birds is the directorial debut of Erdoğan Tokatlı, who employs a plain and simple narration. According to Agâh Özgüç, Last Birds is “a completely poetic cinema,” and according to Tokatlı, it is “a love story that [he] choose[s] to describe as ‘romantic reality.’” A student at a girls’ school, Ayşe meets Oğuz, an engineer who works in Anatolia. They begin a passionate love affair, but Ayşe’s family is too immersed in their own desires to care for her. They get Ayşe’s older sister Nesrin married, but when she does not meet their demands, they want to get Ayşe married.

In honour of Selma Güneri, a recipient of this year’s Cinema Honorary Awards.

Last Birds

Last Birds

Summer Love

Summer Love

76 Minutes and 15 Seconds with Abbas Kiarostami

76 Minutes and 15 Seconds with Abbas Kiarostami

Take Me Home

Take Me Home

Memory and Now, on Fabrics! <br> Gözde İlkin

Memory and Now, on Fabrics!
Gözde İlkin

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.