Naqoyqatsi

  • October 4, 2018 / 19:00
  • November 4, 2018 / 18:00

Director: Godfrey Reggio
USA, 1988, 99', color, black & white
no dialogue
 
Godfrey Reggio takes on the digital revolution in the final chapter of his Qatsi Trilogy. Through a variety of cinematic techniques, including slow motion, time-lapse, computer- generated imagery, and found footage, the film tells of a world that has completed the transition from the natural to the artificial. Globalization has been accomplished, all of our interactions are technologically mediated, and all images are manipulated. From this (virtual) reality, Reggio sculpts a frenetic yet ruminative portrait of an era in which the cacophony of “communication” has rendered humankind effectively postlanguage.
 
Free admissions. Drop in, no reservations.

Koyaanisqatsi

Koyaanisqatsi

Powaqqatsi

Powaqqatsi

Naqoyqatsi

Naqoyqatsi

Why Man Creates

Why Man Creates

Enter the Void

Enter the Void

Madeline's Madeline

Madeline's Madeline

The Show of Shows

The Show of Shows

The Capsule

The Capsule

Trailer

Naqoyqatsi

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.