Koyaanisqatsi

  • September 30, 2018 / 14:00
  • November 4, 2018 / 14:00

Director: Godfrey Reggio
USA, 1982, 86',color
no dialogue
 
An unconventional work in every way, Godfrey Reggio’s Koyaanisqatsi was nevertheless a sensation when it was released in 1983. This first work of The Qatsi Trilogy wordlessly surveys the rapidly changing environments of the Northern Hemisphere, in an astonishing collage created by the director, cinematographer Ron Fricke, and composer Philip Glass. It shuttles viewers from one jaw-dropping vision to the next, moving from images of untouched nature to others depicting human beings’ increasing dependence on technology Koyaanisqatsi’s heterodox methods (including hypnotic time-lapse photography) make it a look at our world from a truly unique angle.
 
Free admissions. Drop in, no reservations.

Koyaanisqatsi

Koyaanisqatsi

Powaqqatsi

Powaqqatsi

Naqoyqatsi

Naqoyqatsi

Why Man Creates

Why Man Creates

Enter the Void

Enter the Void

Madeline's Madeline

Madeline's Madeline

The Show of Shows

The Show of Shows

The Capsule

The Capsule

Trailer

Koyaanisqatsi

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.