News From Home - News From House

  • November 21, 2013 / 19:00
  • November 29, 2013 / 19:00

Director: Amos Gitai
Israel, France, Belgium; 97’, 2005, color
Hebrew, Englishi Arabic, French with Turkish subtitles

Abandoned by its Palestinian owner in the 1948 war; requisitioned by the Israeli government as vacant; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a three-story house in 1980...This West Jerusalem building is no longer the microcosm it once was 25 years ago. Its inhabitants dispersed, this common space has disintegrated, but remains both an emotional and physical center at heart of the Israeli-Palestinian situation. Concrete reality has transformed into scattered stories and memories. A new identity, a new diaspora, has evolved. With News from Home / News from House, Amos Gitai completes the trilogy which began with 1980's House and continued in 1998's A House in Jerusalem. Creating a sort of human archaeology, Gitai explores the relationships between the house's inhabitants, past and present, between Israelis and Palestinians. Each in his or her own way becomes a sign of the region's, the world's destiny.

Esther

Esther

 Kippur

Kippur

Alila

Alila

News From Home - News From House

News From Home - News From House

Disengagement

Disengagement

One Day You'll Understand

One Day You'll Understand

Roses à Crédit

Roses à Crédit

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Remembering the Future

Remembering the Future

How can the future be imagined by looking at a collection or an archive? The lasting quality of ceramics allows us to ponder how the future might be remembered through a ceramics collection, since they render conceivable time eternal.