Director: Amos Gitai
Cast: Liron Levo, Tomer Ruso, Uri Ran Klauzner, Yoram Hattab, Guy Amir Screenplay Amos Gitai, Marie-José Sanselme
Israel, France; 120’, 2000, color
Hebrew with Turkish subtitles
1973. The country is quiet, it is Yom Kippur. When the war breaks out, Weinraub and his friend Ruso race out to the Golan Heights to join their unit. Chaos reigns everywhere. They cannot find their unit; so decide to join an Air Force emergency first-aid unit. A few days later, a missile shoots down their helicopter over the Golan Heights.
"Throughout the film, the viewer remains locked in this absurd question: are we in the war or is that happening somewhere else, off-screen, or was it happening just before the camera got there? We never know for certain and then we realise that this uncertainty is in fact the most profound truth of war, as cinema has hardly ever shown it, with a force and an intensity that takes your breath away. (...) The principle for filming warfare in Kippur is simple, limpid. Favouring real time spaces, (...) making the camera an extra person walking with the soldiers, running behind the others to get on the helicopter before it takes off. The viewer is inside the war while remaining outside the group, accompanying them. Never does the film encourage in the viewer that fantasy of being one of them."
Charles Tesson, Cahiers du cinéma, n°549, September 2000
Trailer
Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
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