Director: Patricio Guzmán
France, Germany, Chile, Spain, USA, color, 2010, 90’
Spanish, English with Turkish subtitles
In Chile, at three thousand meters altitude, astronomers form all over the world gather at Atacama Desert to observe the stars. The desert sky is so translucent that it allows them to see right to the boundaries of the universe. It is also a place where harsh heat of the sun keeps human remains intact: mummies, explorers, miners but also the remains of the dictatorship’s political prisoners. Whilst the astronomers examine the most distant galaxies in search of probable extraterrestrial life, at the foot of the observations, women are digging through the desert soil in search of their disappeared relatives.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.
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On Wednesdays, the students can
visit the museum free of admission.
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