Director: Pierre-Yves Vandeweerd
France, Belgium, siyah-beyaz / black & white, 2007, 102’
French, Fula with Turkish subtitles

Le Cercle des Noyés is the term for a group of political prisoners arrested in Mauritania in 1986 because of their fight for equal rights for blacks, and who, cut off from the outside world, were incarcerated in a fortress in the desert for years. There they had to endure inhumane conditions, humiliation, forced labor, and torture. Le Cercle des Noyés is a political documentary that is reflective both aesthetically and politically in equal parts, without causing one to suffer at the expense of the other. A text, read calmly and with great dignity, consisting of the testimonies and memories of the prisoners, never rehabilitated, is juxtaposed with stunningly impressive black-and-white images from 2006 – “scenes of the crime” that bear no traces of the past, just as if nothing had ever happened. The film is not so much an analysis of the historical and sociopolitical background in Mauritania as it is about the paradigms of political tyranny, misuse of power, injustice, and torture. As such, it can be understood not only as a gesture against forgetting, but also as a parable that can extend as far as Guantánamo.

Odessa...Odessa!

Odessa...Odessa!

Nostalgia For The Light

Nostalgia For The Light

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The Hour Of Berger

Land Of The Wandering Souls

Land Of The Wandering Souls

Drowned In Oblivion

Drowned In Oblivion

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”. 

#VideoPopPera A Special Exhibition Tour

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Pera Museum’s Instagram account was taken over by “This is Not A Love Song” exhibition’s project managers Fatma Çolakoğlu and Ulya Soley!