Director: Maud Nycander, Kristina Lindström
Sweden 105’, 2012, black and white
Swedish with Turkish subtitles
Late in the evening on February 28th, 1986, Swedish Prime Minister Olof Palme and his wife walked home from seeing a film. Palme was fatally shot and killed by an unknown assassin. The murder was never solved. Maud Nycander and Kristina Lindström’s encompassing portrait of Palme began as a means to reassess the former prime minister’s legacy, separate from the drama and horror of his death. More than 26 years have passed since Palme was assassinated, but he remains a divisive figure in Swedish society. Outspoken, courageous, and an advocate for women’s rights, environmentalism, and the peace movement, Palme almost single-handedly changed global views about Sweden. Nycander and Lindström’s film portrait offers an encompassing view both of the man and of his era with never-before-seen footage released by the Palme family.
Trailer
The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
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