Polish Experimental Animation Cinema 2

  • April 12, 2014 / 13:30
  • April 13, 2014 / 11:00

  • Sweet Rhythms / 1965 / Dir: Kazimierz Urbański / 6’
  • Steering My Own Destiny / 1971 / Dir: Katarzyna Latałło / 6’
  • Replica / 1975 / Dir: Kazimierz Bendkowski / 9’
  • New Book / 1975 / Dir: Zbigniew Rybczyński / 10’
  • Oh! I Can't Stop! / 1975 / Dir: Zbigniew Rybczyński / 10’
  • Portrait / 1977 / Dir: Stanisław Lenartowicz / 8’
  • Dead Shadow / 1980 / Dir: Andrzej Klimowski / 10’
  • Line / 1981 / Dir: Grzegorz Rogala / 7’
  • First Film / 1981 / Dir: Józef Piwkowski / 10’
  • Block / 1982 / Dir: Hieronim Neumann / 9’
  • Chips / 1984 / Dir: Jerzy Kucia / 10’
  • Video-disc / 1986 / Dir: Maciej Ćwiek / 4’
  • Zoopraxiscope / 2005 / Dir: Hieronim Neumann / 12’

Total running time 108’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Memory and Now, on Fabrics! <br> Gözde İlkin

Memory and Now, on Fabrics!
Gözde İlkin

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.