Polish Experimental Animation Cinema 2

  • April 12, 2014 / 13:30
  • April 13, 2014 / 11:00

  • Sweet Rhythms / 1965 / Dir: Kazimierz Urbański / 6’
  • Steering My Own Destiny / 1971 / Dir: Katarzyna Latałło / 6’
  • Replica / 1975 / Dir: Kazimierz Bendkowski / 9’
  • New Book / 1975 / Dir: Zbigniew Rybczyński / 10’
  • Oh! I Can't Stop! / 1975 / Dir: Zbigniew Rybczyński / 10’
  • Portrait / 1977 / Dir: Stanisław Lenartowicz / 8’
  • Dead Shadow / 1980 / Dir: Andrzej Klimowski / 10’
  • Line / 1981 / Dir: Grzegorz Rogala / 7’
  • First Film / 1981 / Dir: Józef Piwkowski / 10’
  • Block / 1982 / Dir: Hieronim Neumann / 9’
  • Chips / 1984 / Dir: Jerzy Kucia / 10’
  • Video-disc / 1986 / Dir: Maciej Ćwiek / 4’
  • Zoopraxiscope / 2005 / Dir: Hieronim Neumann / 12’

Total running time 108’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Girl in a Blue Dress

Girl in a Blue Dress

This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs. 

The Success of an Artist

The Success of an Artist

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.