Polish Experimental Animation Cinema 3

  • April 12, 2014 / 16:00
  • April 13, 2014 / 13:30

  • Beach / 1964 / Dir: Edward Sturlis / 7’
  • Copyright by Film Polski MCWLXXVI / 1976 / Dir: Piotr Szulkin / 3’
  • The Sun: A Non-Camera Film / 1977 / Dir: Julian Antonisz / 3’
  • What Do We See After Closing Our Eyes / 1978 / Dir: Julian Antonisz / 5’
  • Bermuda Wheel / 1979 / Dir: Jerzy Kalina / 7’
  • Cinema Verité / 1979 / Dir: Andrzej Warchał / 1’
  • An Unforgettable Night / 1996 / Dir: Janek Koza / 2’
  • Family Business / 1996 / Dir: Janek Koza / 2’
  • Death to Five / 2002 / Dir: Mariusz Wilczyński / 4’
  • Unfortunately / 2004 / Dir: Mariusz Wilczyński / 13’
  • Bark, You Mongrel, Raise Hell, My Pearl / 2006 / Dir: Wojciech Bąkowski / 4’
  • Spoken Film 1 / 2007 / Dir: Wojciech Bąkowski / 5’
  • Cap / 2007 / Dir: Tomek Sikora / 30”
  • Cakes / 2007 / Dir: Tomek Sikora / 30”

Total running time 60’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Istanbul’s Historical Peninsula in 18th and 19th Century Paintings

Istanbul’s Historical Peninsula in 18th and 19th Century Paintings

With the Topkapı Palace, the center of political authority until the 19th century, and many other examples of classical Ottoman and Byzantine architecture included in its premise the Historical Peninsula is the heart of the Empire. 

A Carriage and a Squat House  <br>Liliana Maresca

A Carriage and a Squat House
Liliana Maresca

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.