Polish Experimental Animation Cinema 3

  • April 12, 2014 / 16:00
  • April 13, 2014 / 13:30

  • Beach / 1964 / Dir: Edward Sturlis / 7’
  • Copyright by Film Polski MCWLXXVI / 1976 / Dir: Piotr Szulkin / 3’
  • The Sun: A Non-Camera Film / 1977 / Dir: Julian Antonisz / 3’
  • What Do We See After Closing Our Eyes / 1978 / Dir: Julian Antonisz / 5’
  • Bermuda Wheel / 1979 / Dir: Jerzy Kalina / 7’
  • Cinema Verité / 1979 / Dir: Andrzej Warchał / 1’
  • An Unforgettable Night / 1996 / Dir: Janek Koza / 2’
  • Family Business / 1996 / Dir: Janek Koza / 2’
  • Death to Five / 2002 / Dir: Mariusz Wilczyński / 4’
  • Unfortunately / 2004 / Dir: Mariusz Wilczyński / 13’
  • Bark, You Mongrel, Raise Hell, My Pearl / 2006 / Dir: Wojciech Bąkowski / 4’
  • Spoken Film 1 / 2007 / Dir: Wojciech Bąkowski / 5’
  • Cap / 2007 / Dir: Tomek Sikora / 30”
  • Cakes / 2007 / Dir: Tomek Sikora / 30”

Total running time 60’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Horror Vacui <br> Alejandro Almanza Pereda

Horror Vacui
Alejandro Almanza Pereda

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism. 

Memory of Objects

Memory of Objects

In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.