Putin’s Witnesses

  • April 9, 2019 / 19:00
  • April 12, 2019 / 16:00

Director: Vitaly Mansky
Latvia, Switzerland, Czech Republic, 2018, 102’, color
Russian with Turkish, English subtitle

The events of the film begin on December 31, 1999 when Russia was acquainted with its new President Vladimir Putin, as Boris Yeltsin announced that he was stepping down. The film is based on unique and strictly documentary testimonies of the true causes and consequences of “Operation Successor”. The protagonists of the film are Mikhail Gorbachev, Boris Yeltsin, Vladimir Putin, and the Russian nation, as always being a silent witness of its own destiny. Made by one of Russia’s most renowned documentary-makers, Vitaly Mansky, Putin’s Witnesses tells the story of how Putin rose to power and is holding his position for nearly two decades, by providing first-hand footage he shot near Putin and Yeltsin, on that fateful night.

Chris the Swiss

Chris the Swiss

Dreamaway

Dreamaway

The Man Who Stole Banksy

The Man Who Stole Banksy

Monrovia, Indiana

Monrovia, Indiana

Young and Alive

Young and Alive

Circus Rwanda

Circus Rwanda

Meeting Gorbachev

Meeting Gorbachev

Don’t Work (1968 – 2018)

Don’t Work (1968 – 2018)

Putin’s Witnesses

Putin’s Witnesses

The Silence of Others

The Silence of Others

Our Defeats

Our Defeats

Finding Farideh

Finding Farideh

Trailer

Putin’s Witnesses

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.