Roland Wounded

  • April 12, 2017 / 11:00
  • April 15, 2017 / 19:00

Director: Vincent Dieutre
Cast: Fleur Albert, Paola La Rosa, Sandeh Veet, Rosaria Esposito, Vincent Dieutre
France, 2015, 104’, color
French and Italian with English and Turkish subtitles

The third, Sicilian part of the “Films of Europe” cycle inspires from the testamentary document written by Pasolini not long before his death, which metaphorically communicated his political despair about the “disappearance of the fireflies,” and Didi-Huberman’s reply. Vincent Dieutre travels across the far south of Europe in search of today’s “fireflies” who invent a political life on a daily basis. The filmmaker finds them, on the way, in Palermo’s first gay demonstration, among the occupants of the Garibaldi Theatre, or the young militants of Lampedusa. Dieutre’s essay-film comments on contemporary Sicilian society, the state of politics in Italy and Europe today.

Trilogy of Our Lives Undone

Trilogy of Our Lives Undone

Journey Into Post-History

Journey Into Post-History

Roland Wounded

Roland Wounded

Jaurès

Jaurès

Bologna Centrale

Bologna Centrale

My Winter Journey

My Winter Journey

Bonne Nouvelle

Bonne Nouvelle

Tenebrae Lessons

Tenebrae Lessons

Desolate Rome

Desolate Rome

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.