Director: Andrei Tarkovsky
Cast: Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn
Soviet Union, 1979, 163’, color, black & white
Russian with Turkish subtitles
While Solaris is considered the pinnacle of Tarkovsky's engagement with the fantastical, Stalker has its many defendants. Arguably the most accessible of Tarkovsky's films, this philosophical fable employs the roughest outlines of a novel by Soviet sci-fi writers Arkady and Boris Strugatsky. A mysterious Zone is said to contain a room that grants wishes; the Stalker will take you there for a fee, past military checkpoints and more obscure dangers. A clear imprint of this terse, laconic film is still felt in such apocalyptic hits as 28 Days Later. - by Robert Skotak
Trailer
The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
