The Ascent

  • March 24, 2017 / 21:00
  • March 31, 2017 / 19:00

Director: Larisa Shepitko
Cast: Boris Plotnikov, Vladimir Gostyukhin, Sergey Yakovlev, Lyudmila Polyakova, Anatoliy Solonitsyn
Soviet Union, 1977, 111’, black & white
Russian with Turkish subtitles

Shepitko’s emotionally overwhelming final film won the Golden Bear at the 1977 Berlin Film Festival and has been hailed around the world as the finest Soviet film of its decade. Set during World War II’s darkest days, The Ascent follows the path of two peasant soldiers, cut off from their troop, who trudge through the snowy backwoods of Belarus seeking refuge among villagers. Their harrowing trek leads them on a journey of betrayal, heroism, and ultimate transcendence.

The Cranes Are Flying

The Cranes Are Flying

Wings

Wings

The Ascent

The Ascent

Moscow Does Not Believe in Tears

Moscow Does Not Believe in Tears

The Tuner

The Tuner

Travelling with Pets

Travelling with Pets

Everybody Dies But Me

Everybody Dies But Me

Trailer

The Ascent

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.