Moscow Does Not Believe in Tears

  • March 25, 2017 / 14:00
  • April 1, 2017 / 16:00

Director: Vladimir Menshov
Cast: Vera Alentova, Irina Muravyova, Aleksey Batalov, Natalya Vavilova, Raisa Ryazanova, Oleg Tabakov
Soviet Union, 1980, 150’, color
Russian with Turkish subtitles

Winner of the Academy Award for Best Foreign Language Film (edging out such formidable competitors as Kurosawa's Kagemusha, Truffaut's The Last Metro and Szabo's Confidence), Moscow Does Not Believe in Tears is Vladimir Menshov's enchanting drama of three women struggling to establish themselves in Russia's huge and often impersonal capital city. Liudmilla, Katerina and Antonina seem to have little in common, but are bound by a deep friendship and the shared dream that in Moscow they will somehow find happiness. Moscow Does Not Believe in Tears follows their resourceful pursuit of professional and domestic bliss in 1958, then skips forward twenty years to see just how many of their dreams have come true. On one level Moscow Does Not Believe in Tears works as a free-spirited melodrama in the classic Hollywood tradition, yet at the same time it offers something more. Beneath its charming exterior, the film is a truthful, moving portrait of the plight of women in Russia, depicted over the span of two decades.

The Cranes Are Flying

The Cranes Are Flying

Wings

Wings

The Ascent

The Ascent

Moscow Does Not Believe in Tears

Moscow Does Not Believe in Tears

The Tuner

The Tuner

Travelling with Pets

Travelling with Pets

Everybody Dies But Me

Everybody Dies But Me

Trailer

Moscow Does Not Believe in Tears

Giorgio de Chirico

Giorgio de Chirico

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I Copy Therefore I Am

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Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.