The Aura

  • October 1, 2017 / 15:00
  • October 4, 2017 / 19:00

Director: Fabián Bielinsky
Cast: Ricardo Darín, Dolores Fonzi, Alejandro Awada, Pablo Cedrón, Jorge D'Elia, Manuel Rodal, Rafael Castejón, Walter Reyno, Nahuel Pérez Biscayart
Argentina, Spain, France, 2005, 134’,
Spanish with Turkish subtitles

This neo-noir psychological thriller sets in Patagonia, tells the dark journey of an ordinary man who fantasizes about the perfect heist all his life. Esteban, who rents a hunting cabin in the woods with his friend, accidentally kills the owner. Incidentally, he also discovers that the man he killed was literally planning the perfect heist. Aura, where fantasies become reality and where dreams turn into nightmares, reunites director Fabián Bielinsky and actor Ricardo Darín after Nine Queens.

Carancho

Carancho

Nine Queens

Nine Queens

The Aura

The Aura

Kóblic

Kóblic

The Man Next Door

The Man Next Door

The Secret in Their Eyes

The Secret in Their Eyes

Clandestine Childhood

Clandestine Childhood

Eva Doesn’t Sleep

Eva Doesn’t Sleep

Wild Tales

Wild Tales

The Headless Woman

The Headless Woman

Trailer

The Aura

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.