The Film Of Questions

  • March 28, 2015 / 14:00
  • April 1, 2015 / 19:00

Artist: Frank Smith
France, 52’, 2014
French with Turkish subtitles

Poet, writer of novels and radio documentaries, Frank Smith’s new work is the second part of a project involving a book. In March 2009, a man murdered ten people before ending his own life, on a journey from Kinston to Geneva, Alabama. Frank Smith interrogates this event by questioning the relationship between fact, narrative, image, and language. He revisits the road travelled that day using Google Earth, trying to make sense of the path of a serial killer, and combining the screening of the film with a live reading of his book.

Everyday Life

Everyday Life

The Film Of Questions

The Film Of Questions

Metamorphoses

Metamorphoses

The Affaire’s Prompter

The Affaire’s Prompter

Alan Vega, Just A Million Dreams

Alan Vega, Just A Million Dreams

Tarnation

Tarnation

Cecile Paris<br/>Selected Videos

Cecile Paris
Selected Videos

Honest Experience

Honest Experience

Nam June Paik Video Art’s Pioneer

Nam June Paik Video Art’s Pioneer

Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Audience with the Mad King

Audience with the Mad King

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.