A psychological thriller about a morbid passion, The Lake starts as Nalan (Müje Ar), a singer who works in the big city, receives an invitation from a night-club in the small town. When Nalan arrives in town, these words salute the viewer: “Life in a town is forlorn.” Nalan, taken captive by the most powerful man in the town, Murat (Hakan Balamir), as a substitute for his dead wife, tries to ease this sense of forlornness through her feelings for Hasan, while Murat’s obsession about “everything will be as it used to be” creates the suspenseful atmosphere of the film. In the small scale and constraint of the town, the aforementioned “forlornness” morphs into “eeriness” for Nalan, who is seen as “foreign” and thus an “object of desire.” Written by Selim Ileri and produced by Atıf Yılmaz, The Lake will be screened in commemoration of Hakan Balamir.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
