2014 | 95’ | Zhou Hao
A young man stands in front of a mirror. The night belongs to him. Every evening, he appraises his appearance and, attired in a new shirt, leaves his apartment to wait in a poorly-lit alleyway. One night he meets a female prostitute of his age who’s new to this part of town. They flirt and wander the streets, toy with the idea of renting their bodies out to each other, and name themselves after flowers: he calls himself Tuberose and she, Narcissus. The strangers they follow remain faceless—until Rose, a one-night stand, falls in love with Tuberose. With help from Narcissus, Rose uses all his charm to try to win over the young sex worker. Although Tuberose responds with cool reserve, it becomes increasingly difficult for him to remain aloof. In this visually impressive, sensual film debut in which the director also plays the leading role, twenty-one-year-old filmmaker Zhou Hao demonstrates all the poetic intensity of a Jean Genet in describing these three misfits’ mutual search for intimacy. The love songs of Taiwanese singer Teresa Teng help the protagonist get in touch with his locked-away emotions.
As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
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