The Roundup

  • June 8, 2022 / 16:00

Director: Adonis Kyrou
Cast: Kostas Kazakos Manos Katrakis Kostas Bakas Alexandra Ladikou Giannis Fertis
Greece, 1965, 90’, DCP, b&w
Greek with Turkish and English subtitles  

A summer night in 1944 in Kokkinia, Kosmas, a black marketeer, is out with his friends before he is arrested by the German patrol. The Germans push him to turn in people from the Resistance, or they will execute him. The next day, Kosmas wears a black hood and points at the combatants who have been forced to gather at the main square of the village. The film of the hyperrealist filmmaker and writer Adonis Kyrou, recreates the terrifying conditions of the blockade of Kokkinia, when, in the last period of the German occupation, the populous neighbourhoods of Athens resisted at any cost.

Reconstruction

Reconstruction

Z

Z

The Roundup

The Roundup

John the Violent

John the Violent

The Crossing

The Crossing

Deserter

Deserter

A Quiet Death

A Quiet Death

Olga Robards

Olga Robards

Mania

Mania

Evdokia

Evdokia

The Photograph

The Photograph

The Excursion

The Excursion

The Idlers of the Fertile Vallye

The Idlers of the Fertile Vallye

Morning Patrol

Morning Patrol

Stone Years

Stone Years

Young Aphrodites

Young Aphrodites

Trojan Women

Trojan Women

Interview with Isabel Muñoz <br> By Merve Akar Akgün

Interview with Isabel Muñoz
By Merve Akar Akgün

Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally. 

The Captive Sultan

The Captive Sultan

The war fought by the Greeks to shake off the Turkish yoke was closely observed around Europe and, this being the era of romanticism, the events taking place around Greece between 1821 and 1832 became a symbol for national liberation struggle.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.