The Roundup

  • June 8, 2022 / 16:00

Director: Adonis Kyrou
Cast: Kostas Kazakos Manos Katrakis Kostas Bakas Alexandra Ladikou Giannis Fertis
Greece, 1965, 90’, DCP, b&w
Greek with Turkish and English subtitles  

A summer night in 1944 in Kokkinia, Kosmas, a black marketeer, is out with his friends before he is arrested by the German patrol. The Germans push him to turn in people from the Resistance, or they will execute him. The next day, Kosmas wears a black hood and points at the combatants who have been forced to gather at the main square of the village. The film of the hyperrealist filmmaker and writer Adonis Kyrou, recreates the terrifying conditions of the blockade of Kokkinia, when, in the last period of the German occupation, the populous neighbourhoods of Athens resisted at any cost.

Reconstruction

Reconstruction

Z

Z

The Roundup

The Roundup

John the Violent

John the Violent

The Crossing

The Crossing

Deserter

Deserter

A Quiet Death

A Quiet Death

Olga Robards

Olga Robards

Mania

Mania

Evdokia

Evdokia

The Photograph

The Photograph

The Excursion

The Excursion

The Idlers of the Fertile Vallye

The Idlers of the Fertile Vallye

Morning Patrol

Morning Patrol

Stone Years

Stone Years

Young Aphrodites

Young Aphrodites

Trojan Women

Trojan Women

An Organized Chaos: At Marcel Dzama’s Studio

An Organized Chaos: At Marcel Dzama’s Studio

We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.