They Called it Love, But Was it Love?

Director: Charan Singh
2020, 8’ 35’’, Hindi with Turkish subtitles

Charan Singh lives and works in New Delhi and London. Singh’s art practice is informed by HIV/AIDS work and community activism in India. They Called it Love, But Was it Love? depicts scenes from the lives of kothis living in India. Reduced to a “risk group” by public health campaigns and misunderstood through Western notions of gender and sexuality, these protagonists have real lives and inhabit unique worlds with their own quests for fulfilment and love.

Ministry of Health

Ministry of Health

This is Right; Zak, Life and After

This is Right; Zak, Life and After

Me Cuido

Me Cuido

Female Disappearance Syndrome

Female Disappearance Syndrome

They Called it Love, But Was it Love?

They Called it Love, But Was it Love?

Finding Purpose

Finding Purpose

Female Attires from the Perspective of Painters

Female Attires from the Perspective of Painters

Due to its existence behind closed doors, the lifestyle and attires of the women in the Harem have been one of the most fascinating topics for western painters and art enthusiasts alike.

Postcard Nudes

Postcard Nudes

The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city. 

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.