Director: François Caillat
France, color, 2001, 75’
French with Turkish subtitles
Based on a macabre event, the exhumation of the corpse of an unknown solider, this film brings together the strands of a complex, fast-moving story played out over 100 years in Lorraine. In it we come upon thwarted destines, brutal deaths, and exile. Through one of two characters straight out of novels, we discover the adventure of the 20th century, seen though the prism of the wars between France and Germany, and the final throes of the French nation before adopting a European identity which transcends it. This film is an investigation into the “scenes of crime”.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
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On Wednesdays, the students can
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