Director: François Caillat
France, color, 2001, 113’
French with Turkish subtitles

The narrator recounts his amorous youth in Paris in the 1970s: a tale of headlong, head-over-heels initiation into love, an intimate story as well as the adventure of a generation, a film about the difficulty of loving. By interspersing the city’s neighborhoods with fragments of letters, photos of young women, and music of the day, the film constructs an amorous geography of Paris: that of the author, who for fifteen years there experienced the discoveries and excesses of his youth, as a counterpoint, one or two super-8 picture of journeys-the counter-culture in the United States, and later the military dictatorship in Chile-call to mind how that period was.

L'affaire Valerie

L'affaire Valerie

Trois Soldats Allemands

Trois Soldats Allemands

La Quatrieme Generation

La Quatrieme Generation

Une Jeunesse Amoureuse

Une Jeunesse Amoureuse

Rineke Dijkstra Look At Me!

Rineke Dijkstra Look At Me!

“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.” 

Moscow Conceptualists

Moscow Conceptualists

Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.

Fragments of Identity

Fragments of Identity

The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.