Upstream Color

  • April 22, 2016 / 19:00
  • April 30, 2016 / 17:00

Director: Shane Carruth
Cast: Amy Seimetz, Frank Mosley, Shane Carruth
USA, 2013, 96’, color
English with Turkish subtitles

A hallucinatory cinematic experience that defies categorization, the amazing and audacious Upstream Color by Shane Carruth, whose debut Primer won the Grand Jury Prize of the 2004 Sundance Film Festival and has been widely regarded as a landmark of independent cinema. Kris is abducted from a bar and forced to ingest a drug that renders her susceptible to persuasion. When she awakens from her trance she discovers that life, as she knew it has fallen apart. After some time, she meets Jeff on a train, and soon realizes she might not be the only one to have experienced this ordeal, and that something bigger is going on. The film an entirely original, mythic, romantic thriller goes in search of truths that lie just beyond our reach. Both gripping and boundary pushing, it asserts Carruth as one of the most exciting and talented filmmakers working in cinema today.

Lost River

Lost River

The One I Love

The One I Love

Blind

Blind

A Pigeon Sat on a Branch Reflecting on Existence

A Pigeon Sat on a Branch Reflecting on Existence

Lightning 1st Part

Lightning 1st Part

Lightning 2nd Part

Lightning 2nd Part

Coherence

Coherence

Upstream Color

Upstream Color

Piercing Brightness

Piercing Brightness

Time Lapsus

Time Lapsus

Waking Life

Waking Life

When Animals Dream

When Animals Dream

Why Can't I Be Tarkovsky?

Why Can't I Be Tarkovsky?

Trailer

Upstream Color

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.