Waking Life

  • April 23, 2016 / 18:00
  • May 11, 2016 / 19:00

Director: Richard Linklater
Cast: Ethan Hawke, Trevor Jack Brooks, Lorelei Linklater
USA, 2001, 100’, color
English with Turkish subtitles

Waking Life a live-action rotoscoped film, by Richard Linklater was shot using digital video and then a team of artists using computers drew stylized lines and colors over each frame. The film focuses on the nature of dreams and consciousness. The title, Waking Life, is a reference to the philosopher George Santayana's maxim: Sanity is a madness put to good uses; waking life is a dream controlled. An unnamed young man is in a persistent lucid dream-like state. He initially observes and later participates in philosophical discussions of issues such as reality, free will, the relationship of the subject with others, and the meaning of life. The film also touches on other topics including existentialism, situationist politics, post-humanity, the film theory of André Bazin, and lucid dreaming itself.

Lost River

Lost River

The One I Love

The One I Love

Blind

Blind

A Pigeon Sat on a Branch Reflecting on Existence

A Pigeon Sat on a Branch Reflecting on Existence

Lightning 1st Part

Lightning 1st Part

Lightning 2nd Part

Lightning 2nd Part

Coherence

Coherence

Upstream Color

Upstream Color

Piercing Brightness

Piercing Brightness

Time Lapsus

Time Lapsus

Waking Life

Waking Life

When Animals Dream

When Animals Dream

Why Can't I Be Tarkovsky?

Why Can't I Be Tarkovsky?

Trailer

Waking Life

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.