Veşartî/Hidden

  • June 22, 2016 / 19:00
  • June 25, 2016 / 13:00

Director: Ali Kemal Çınar
Cast: Ali Kemal Çınar, Sakine Tunç, Sibel Can, Remzi Yardımcı, İhsan Şakar
Turkey, 2015 ,70’,  black & white
Kurdish with Turkish subtitles

Ali Kemal and Berfin are a couple living an ordinary life while waiting for their wedding day. After a surprise visit from an unknown woman to Ali Kemal’s shop, they find themselves awaiting a magical metamorphosis that will lead to Ali Kemal’s sex change. Bold realities of feminist issues, the role of women in traditional Turkish and Kurdish societies, and the ways in which the government deals with them surround the couple as they try to figure out if they can make this change on a personal level as well. Hidden salutes the cross dressing scene from the famous Kurdish folk tale Mem û Zîn, where Mem is dressed as a woman and Zîn as a man when they see each other for the first time.

Veşartî/Hidden

Veşartî/Hidden

The Pink Report

The Pink Report

#resistayol

#resistayol

Trailer

Veşartî/Hidden

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.