The Pink Report

  • June 23, 2016 / 16:00
  • June 25, 2016 / 15:00

Director: Ulrike Böhnisch
Germany, 2011, 75’, color
English, German and Turkish with Turkish subtitles

The Turkish army considers homosexuality a mental disorder which exonerates young men from military service, but also requires a medical diagnosis to be reached through both psychological and more invasive (and humiliating) diagnostic procedures. This film tells the heartfelt stories of several gay men, who have made entirely different choices about military service. Due to missing freedom of speech the young men are forced to hide their faces while exposing one of Turkey’s biggest taboos.

Veşartî/Hidden

Veşartî/Hidden

The Pink Report

The Pink Report

#resistayol

#resistayol

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.