Veşartî/Hidden

  • June 22, 2016 / 19:00
  • June 25, 2016 / 13:00

Director: Ali Kemal Çınar
Cast: Ali Kemal Çınar, Sakine Tunç, Sibel Can, Remzi Yardımcı, İhsan Şakar
Turkey, 2015 ,70’,  black & white
Kurdish with Turkish subtitles

Ali Kemal and Berfin are a couple living an ordinary life while waiting for their wedding day. After a surprise visit from an unknown woman to Ali Kemal’s shop, they find themselves awaiting a magical metamorphosis that will lead to Ali Kemal’s sex change. Bold realities of feminist issues, the role of women in traditional Turkish and Kurdish societies, and the ways in which the government deals with them surround the couple as they try to figure out if they can make this change on a personal level as well. Hidden salutes the cross dressing scene from the famous Kurdish folk tale Mem û Zîn, where Mem is dressed as a woman and Zîn as a man when they see each other for the first time.

Veşartî/Hidden

Veşartî/Hidden

The Pink Report

The Pink Report

#resistayol

#resistayol

Trailer

Veşartî/Hidden

“My body is my sculpture” <br> Louise Bourgeois

“My body is my sculpture”
Louise Bourgeois

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks. 

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

Sea Baths

Sea Baths

It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.