Vinyl, 1965, 67’
16mm film, black and white, sound
Transferred from 16 mm to DVD
Collection of The Andy Warhol Museum, Pittsburgh
Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
©2014 The Andy Warhol Museum, Pittsburgh, PA, a Museum of Carnegie Institute
All rights reserved.
Andy Warhol’s 1965 film Vinyl is the lesser-known adaptation of Anthony Burgess’s novel A Clockwork Orange. Rather than the aggression of Kubrick’s interpretation, which came out in 1971, Warhol’s version is a meditation on pure sensation, infused with raw, homoerotic and borderline pornographic images. These early, sexually fetishistic films fell out of circulation following the attempt made on his life in 1968 by Valerie Salonas, but Vinyl is proof of Warhol’s role as a pioneer in queer cinema.
Trailer
As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?
Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
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